The Bronx Ink

At a small intersection with an under-developed park called Green Streets, no longer than the length of three tightly parked cars, lies the center of Little Yemen in Morris Park. Door-to-door services crowd the street in front, including Al-Meraj, a halal meat market, and Gamal Business Services, where Arabic-language employees provide tax, translation, and notary services.

For Yahay Obeid, this is also the center of his dream.

Obeid, a control supervisor at JFK Airport, serves on Community Board 11 as the public committee safety chair and is the outreach liaison for his local mosque. His current mission is to establish the enclave’s identity as Little Yemen on Google Maps.

Obeid wants the official designation because it will encourage residents to feel a sense of belonging and pride in the Bronx, he said.

His goal is to give residents “a place where they can say, ‘Yeah, I’m waiting for you at the Little Yemen triangle.’”

The heart of the neighborhood is on White Plains Road and Rhinelander Avenue, where the most popular Yemeni restaurant, Arth Aljanatain, is located. The restaurant’s windowed walls offer a view of Green Streets, where passersby can see local Yemeni customers sitting on one of their eight tables. It’s where the coach of the Yemen United Soccer Club takes his his sons for dishes such as salta, a meat broth-based soup, and rice and chicken dishes. The main mosque of the area – that holds two Friday prayer services to accommodate the worshippers – is here too. Hookah cafes, a Yemeni supermarket, and Yemeni delis and pharmacies surround that one intersection.

Little Yemen, which encompasses pockets from Van Nest and Bronx Park East, is a small pocket of the approximate 120,000 residents in the area, according to the NYU Furman Center.

And it’s even a smaller fraction of the approximate 6,900 Yemenis in New York State, estimated by the Arab American Institute Foundation. The number of Yemenis residing in the Bronx and specifically in District 11 is unclear to community officials. 

Obeid got the idea to reach out to Google earlier this summer, when he took part in the planning of the city’s first-ever Yemeni-American Day Parade. Anwar Alomaisi, the parade’s volunteer photographer, took a drone photo that captured the crowd at the triangle intersection. Once Obeid saw it, he was inspired to try to create “Little Yemen.”

Obeid submitted his request to Google using its My Business mobile application. Google verified the location and a few weeks later, Little Yemen was on the map. Sort of. It appears on Google Maps as a museum open 24/7. All Google Maps users can also manually add suggestions for businesses, hospitals, streets, and other places, where it will go through a verification process, but they cannot add neighborhoods.

“It might not be an official museum, but people will check it out,” Obeid said about the designation.

Separately, Obeid has made a request to the Department of Parks and Recreation to rename the park to “Little Yemen.” He will reach out to Google to change the museum designation if the park is renamed with a sponsorship from the Department of Parks and Recreation.

In the meanwhile, “it will be somewhat of an outdoor museum of the Yemeni community.”

Google retrieves neighborhood information from third-party providers and public sources that they describe as local government websites and transportation operators, according to a Google Spokesperson.

They define borders with a red outline to map boundaries. 

Establishing Little Yemen on the map would solidify the Arab presence in the area, said Jeremy Warneke, Community Board 11 District Manager.

“They’re very visible and present, and you can either embrace the future or do your best to deny it,” Warneke said.

Ethnic enclaves, or Littles, in New York City, are typically defined by “commercial, residential, and institutional concentration of a particular ethnic group,” said Tarry Hum, Professor and Chair of the Department of Urban Studies at Queens College, CUNY

She notes that neighborhoods develop out of  “reciprocity and ethnic solidarity, class relations (and conflict) [that are] tempered by shared culture, language, experience of racial discrimination.”

Many Littles in New York don’t appear on Google Maps. The New York Times mapped out several based on population concentrations. In the Bronx alone, there are at least six distinctive neighborhoods, including Little Ireland in Woodlawn Heights, Little Albania in Pelham Parkway, and Little Ghana in Concourse Village, which are just some of the 30 Littles the Bronx Ink identified throughout New York City.

Obeid considers his efforts “a gift to the Yemeni community.” 

“Now they see us out of the grocery stores.”

On October 3, 2019, a few weeks after this story went live, The Bronx Ink discovered that Little Yemen’s designation on Google Maps changed from museum to neighborhood. The new designation can be viewed by clicking this Google Maps link.

This story was updated to reflect the following correction: Yahay made the request to change the name of the park to the Department of Parks and Recreation, not the community board.

By Manuel Rueda

Gonzalo Venegas and his brother Rodrigo have been rapping about social inequalities since the 1990s.

Based in the south Bronx—the cradle of the hip-hop movement—the two brothers use the Internet to share their work with fans across the world.

Known in hip-hop circles as the Rebel Diaz duo, the Venegas brothers blend hip-hop and Latin rhythms in songs about inner city youth, corrupt government and the problems faced by recently arrived immigrants.

The sons of political refugees from Chile, their songs are often bilingual, with lyrics in English followed by a chorus in Spanish or an English verse punctuated by Chilean slang.

The name Rebel Diaz is a take on the Spanish word for rebels, rebeldes.

Raised in Chicago, the Venegas brothers have created an online community—and built a fanbase— using the most common web tools of the modern age: Facebook, Twitter and their own web site.

On their Twitter account, they update their 1,500 followers about their upcoming concerts and share small snippets of their lives. Last Thursday, for example, the brothers informed followers they were watching their Chicago Bulls “put the bats” on Boston.

On Facebook, the duo will occasionally share articles on civil rights protests with their politically conscious fans.

But in other ways the Venegas are anything but typical web musicians.

Rebel Diaz does not promote its work on digital stores like iTunes. Despite being relatively well known in hip-hop circles, the duo doesn’t do deals with record labels to market their music on the web.

“If we wanted to take a route to give us mass exposure we would,” says 26-year-old Gonzalo. “But you have to remember, those labels are controlled by corporate interests that don’t want to hear the type of message that we’re putting forth.”

Instead, Rebel Diaz sells its material exclusively through its website, with tracks going for $1 and an album for $10.

And unlike online retailers like iTunes or Amazon that only provide short previews of the songs they sell online, Rebel Diaz lets you listen to the whole track for free. You only need to pay if you want to download the song or the album into your computer.

“Our experience as producers of music and consumers is that if people want to buy your music, it doesn’t matter if they listen to three seconds or one minute,” says Gonzalo Venegas, who goes by the artistic name, G1.

The younger of the two brothers, G1 explains that the group makes most of its sales “hand to hand” after their concerts. He believes that most of those buying Rebel Diaz’s records online are people who were not able to get their hands on a CD after one of their shows.

“Most people aren’t really hearing our music on our website. They’ll hear it on Democracy Now (a radio news show) or a friend will tell them about it, and at that point they’ll go to the site,” he says.

The band’s web presence helps the duo promote itself and sell albums, but the brothers make no secret about the fact that they rely on live performances to make a living. Last year, the duo rapped at 100 shows. And in May, it kicks off a month-long European tour that will take it to Germany, Greece and the United Kingdom.

For some extra income and to give back to the community, the Venegas brothers hold workshops on the history of hip-hop for students and youth groups in low-income neighborhoods.

“Even though the Internet is very important to us as a tool. It’s not the be all and the end all,” says G1. “The person to person contact, is probably the most important thing that we do.”

One of the group’s recent videos

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